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DAVID, Gerard
The Holy Women and St John at Golgotha dfv
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ID: 06383
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DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, Related Paintings of DAVID, Gerard :. | Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg | Triptych of Jan Des Trompes (rear of the wings) tye | Triptych of Jean Des Trompes (detail) dfg | The Judgment of Cambyses (left panel) drah | The Mystic Marriage of St Catherine dg | Related Artists: Baron Jean-Baptiste RegnaultParis 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs. gianbattista moroni1570
bergamo
accademia carrara Fritz Beinke(1842- 1907 ) - Painter
painted The toymaker of Nuremberg in 1882
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All the Alma Tadema's Oil Paintings
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